Hertzian space is as real as the physical world. Physicists tell us that electromagnetic forces are far more powerful than gravity (a tiny magnet holds up a paperclip against the entire gravity of the Earth). Investors find telecommunications and the Internet to be immensely lucrative. What might an architecture that actively engaged Hertzian space look like?
the Invisible Forces
the everyday superimposition of real and virtual spaces, the development of a mobile sense of place, the emergence of popular virtual worlds, the rise of the network as a socio-spatial model, and the growing use of mapping and tracking technologies. These changes are not simply produced by technology. On the contrary, the development and practices of technology (as well as the conceptual shifts that these new technological practices produce) are thoroughly imbricated in culture, society, and politics. To be clear, the new is not good by default. The conditions we observe are contested and give rise to new tensions as much as to new opportunities. With connection there is also disconnection, and networks can consolidate power in the very act of dispersing it.
SEEN - Fruits if Our Labor
Superimposition of real and virtal spaces
In Osman and Omar Khan’s project “SEEN-Fruits of Our Labor,” the designers crafted an 8’ tall, 4’ wide black acrylic screen, reminiscent of the 2001 monolith or perhaps a massive iPhone (the iPhone was actually released a year after the first installation) and installed it in front of the San Jose Museum of Art. The designers set out to foreground questions of labor in the United States by asking members of three groups crucial to the Silicon Valley economy—technology workers, undocumented service workers and outsourced call center workers—the question “What is the fruit of your labor?” The Khans displayed the responses on the screen via a grid of infrared LEDs. This light source is invisible to the naked eye, but can be seen via CCD apparatuses present in digital cameras and phone cameras.
As the mysterious object incited viewers into photographing it, viewers saw a message that otherwise existed only in Hertzian space, invisible to the eye, on their camera screens. Repeated photographs yielded new messages and, as viewers stood in front of the monument with their cameras, the experience spread virally.